Category: Japanese Food

Everyday foods from the Japanese kitchen, including pantry ingredients and seasonal specialties.

  • Takoyaki — Osaka’s Iconic Street Food, and How to Make It at Home

    Takoyaki (たこ焼き) are round, savory balls made from a wheat-based batter filled with diced octopus, cooked in a special pan with round molds. They are typically topped with takoyaki sauce, mayonnaise, bonito flakes, and dried seaweed.

    Originally from Osaka, takoyaki are one of Japan’s most iconic street foods.


    A Brief History

    The history of takoyaki cannot be told without two predecessor dishes. Rajioyaki was a popular Osaka street food since the Meiji era — a round, grilled dumpling filled with beef tendon and konjac. Akashiyaki, on the other hand, has existed since the Edo period.
    It uses octopus as a filling and is served dipped in dashi broth, with a soft, fluffy texture.

    In 1935, Tomekichi Endo, the founder of Aizuya in Osaka, heard that octopus was used in Akashiyaki. He swapped the filling in his rajioyaki for octopus — and takoyaki was born.

    After World War II, the introduction of Worcestershire sauce led to the now-familiar style of serving takoyaki with sauce and toppings, and its popularity exploded.
    Today, it is said that almost every household in Osaka owns a takoyaki maker.


    Eating Out vs Making at Home

    Eating Out

    At a street stall or restaurant, takoyaki is a quick and satisfying snack you can enjoy on the go.
    The portions tend to be generous, and the texture is what makes it special — crispy on the outside, soft and gooey on the inside.
    Each shop has its own take on the batter, sauce, and toppings, which makes trying different places part of the fun.

    Making at Home

    At home, the fun is different.
    Everyone gathers around the table, takes turns filling the molds, and watches the takoyaki take shape together.
    You can also get creative with fillings — mochi, cheese, sausage, edamame, even chocolate. It turns into a bit of a guessing game — you never quite know what you’re going to get.


    Making Takoyaki at Home

    The Batter

    You can use a ready-made takoyaki flour mix, which already has seasoning — simple and convenient.

    To make it from scratch, combine flour, eggs, dashi (or water), and a pinch of salt and soy sauce (or Japanese dashi stock powder). Adding grated or powdered nagaimo (Japanese mountain yam) gives the batter a soft, fluffy, mochi-like texture.
    Mix well to avoid lumps — a whisk helps.
    If you have time, resting the batter in the fridge makes it even smoother.

    As a rough guide: 100g of flour to 300–400ml of liquid. More water makes the batter softer and more fluid, but harder to flip — starting with 300ml is easier for beginners.

    Basic Recipe

    • Flour: 200g
    • Eggs: 3
    • dashi (or water): 600–800ml
    • Salt: a pinch and soy sauce: 1/2 tbsp (or dashi powder: 1 tbsp)

    Note: Some dashi powders contain salt. Adjust the seasoning to taste. Since sauce is added later, keep it light.

    Fillings

    Mochi, pickled ginger, corn, dried shrimp, edamame, octopus, and cabbage.

    Octopus is the classic filling, but you can use almost anything — mochi, cheese, sausage, edamame, corn, shrimp, and more.
    Tenkasu (tempura scraps), pickled ginger, and green onion are optional but traditional.

    Cooking

    I probably could have added a little more batter and filling.

    Pour the batter into the molds generously — enough to overflow and connect across the whole plate. Add your fillings into each hole. Use a bamboo skewer to score around the edges and fold the batter inward to form a round shape. Less batter results in a half-sphere rather than a full ball.
    More oil makes the outside crispier.


    Cook until golden brown, then top with takoyaki sauce, mayonnaise, bonito flakes, and dried seaweed.

    Even so, they turned out nicely round.


    What You Need

    To make takoyaki at home, you’ll need a takoyaki pan.
    There are two main options:

    A stovetop pan like the Ikenaga Tekko cast iron takoyaki plate works on gas, electric, and IH cooktops.
    The cast iron retains heat well, helping achieve a crispy outside and a soft, fluffy inside.
    Ikenaga Tekko Takoyaki Plate on Amazon

    If you want the full experience of gathering around the table together, the Iwatani cassette gas takoyaki maker is a good option.
    It sits on the table and uses a portable gas canister — perfect for a takoyaki party.
    Iwatani Takoyaki Maker on Amazon

    You’ll also need bamboo skewers or picks for flipping, and something to oil the molds — like an oil brush or a paper towel.


    Closing

    Takoyaki is simple enough to make at home, but fun enough to turn into an event.
    Whether you’re trying it for the first time or bringing a taste of Osaka to your table, it’s worth making at least once.

  • Cast Iron Cooking and What I Learned About Carbs

    The first manga I ever bought was Yu Yu Hakusho — a 90s manga about a teenage delinquent turned spirit detective, fighting increasingly powerful demons.

    Bear with me. I will explain cast iron cooking through Yu Yu Hakusho theory. If you get it, you get it. If you don’t — you might still learn something about cast iron.


    I’d gotten pretty comfortable with cast iron. Eggs, meat, fish — nothing was sticking. I thought I had it figured out. Then I tried cooking carbs, and hit a wall. That’s when I realized: there’s a power hierarchy. And not all carbs are equal.


    The Enemy Rankings

    Cooking on cast iron requires a barrier — a protective layer between the food and the pan. In Yu Yu Hakusho, this is called a kekkai.
    You also need to know what you’re up against.

    E-Rank — High-moisture vegetables / Carbs (pancakes)

    A weak kekkai is enough. Small fry.
    I debated D or C for pancakes. They behave like protein at first — sticking, then releasing as heat gets through. But they let go even with a weak kekkai. E rank stands. Disagreement noted.

    D-Rank — High-starch vegetables

    A basic kekkai handles it. Still small fry.

    C-Rank — Protein (meat, eggs)

    The kekkai takes care of them. They may stick at first, but once heat gets in, they naturally release. If they don’t, add a small splash of water or take the pan off the heat and wait.

    B-Rank — Protein (fish) / Carbs (fried rice)

    The kekkai mostly works, but fish skin can stick in spots.
    Fried rice held at B, but only with proper moisture control.
    Don’t get complacent.

    A-Rank — Carbs (gyoza)

    These break through the kekkai. They don’t release with time — they dig in deeper. Gyoza with soft, high-moisture wrappers are borderline S rank. The kekkai alone won’t save you. You need a Spirit Detective.

    S-Rank — Carbs (???)

    There’s always a higher rank. It’s out there, somewhere in the carb category. I just haven’t met it yet.


    How Proteins and Carbs Behave Differently

    Protein firms up as moisture evaporates, then releases. Wait long enough and it usually lets go on its own.

    Carbs are different — or so I thought. After my early struggles with gyoza, I assumed all carbs were formidable enemies. But then fried rice came in at B-Rank, and pancakes at E-Rank. It turns out the real threat is more specific. Gyoza are the outlier. As they cook, the starch gelatinizes — absorbing moisture and forming a thin, glue-like layer that bonds to the pan surface. Waiting makes it worse.


    How to Maintain the Kekkai — and Fight A-Rank Enemies

    The foundation of cast iron cooking is the kekkai — keeping food from bonding directly to the metal. Preheating and oil are what create it. Against A-Rank enemies, you also need moisture management to maintain the kekkai, and the right tool to cut through what breaks past it — the Spirit Detective.

    Preheat + Oil — The Kekkai

    A properly heated pan sears the surface of food the moment it makes contact. Oil gets between the food and the metal, preventing direct contact. Together, these two create the kekkai. Without enough preheat, the surface bonds before it can sear. Too little oil, and the metal is exposed.

    That said, the kekkai can be too strong.
    Push it too far and it damages the one casting it — in Yu Yu Hakusho terms, that’s Master Genkai herself. In my case, heating until smoke appears means olive oil fumes hit my throat. Pull back just before the smoke — when you see the faintest wisp, lower the heat. That’s the sweet spot.

    Moisture Management — Maintaining the Kekkai

    Excess moisture drops the pan temperature and weakens the kekkai. Keep the surface of your ingredients as dry as possible.
    Fried rice staying at B-Rank depends entirely on this.

    The Right Tool — The Spirit Detective

    If the kekkai and moisture management still aren’t enough, you need the right tool to cut through what gets past them.


    Closing

    For a more specific breakdown of how to fight A-Rank enemies — using gyoza as the example — I’ve written a separate article.
    Fair warning: it drops the Yu Yu Hakusho framing entirely and reads like a normal cooking post.
    How to Cook Gyoza in a Cast Iron Pan — Why It Sticks and What to Do About It

    Now, I thought I’d pulled off a near-perfect fusion of cast iron cooking and Yu Yu Hakusho — but once I finished writing, I noticed a fatal flaw. In the actual series, B and C-Rank demons can slip through barrier gaps, and anything D-Rank or below passes right through.

    I thought about flipping it — putting vegetables at S-rank, protein at A-rank. But that felt completely wrong.

    In the end, I couldn’t find a clean solution.
    The Yu Yu Hakusho theory of cast iron cooking remains unfinished. I’m sorry to anyone who read this far expecting a satisfying conclusion. But I intend to keep thinking about it.

    Note: the stronger the demon energy, the more effective the kekkai.

  • How I Made Fried Rice in a Cast Iron Pan — What Gyoza Taught Me

    After all the trouble I went through with gyoza, I decided to try fried rice in the same iron pan.

    The lessons I’d learned from gyoza were simple: preheat thoroughly, coat the surface with enough oil, manage moisture carefully, and use a thin stainless steel turner when it’s time to release. I figured the same principles should apply to fried rice.


    Preparing the Rice — No Water, No Exceptions

    Before I started, I came across an article claiming that rinsing cooked rice removes excess starch and makes it easier to fry up fluffy and separated.

    But I had the gyoza incident fresh in my memory. I’d rinsed the wrappers under water, and they stuck completely — a disaster.
    That experience made one thing clear: getting the rice wet was not an option.

    Instead, I left the freshly cooked rice to sit for about 30 minutes, letting the surface dry out slightly before using it.


    How I Cooked It

    The ingredients were straightforward: green onion, bacon, two eggs, and rice.

    I preheated the pan thoroughly, then added about 3/4 tablespoon of oil. I stir-fried the green onion and bacon, then pushed them to the side. I added another 1/4 tablespoon of oil, poured in the beaten eggs, and placed the rice on top, breaking it apart as I went.

    It stuck a little at first. But this time, I didn’t panic.

    Unlike gyoza, the rice was coated in egg. I knew that protein contracts when heated and releases from the surface over time.
    I kept calm, sliding the stainless steel turner along the bottom to loosen things up — and gradually, the rice stopped sticking. By the end, I had fluffy, separated fried rice.


    Why It Was Easier Than Gyoza

    Gyoza wrappers are made of starch. The more moisture they get, the more firmly they bond to the pan. Even a small lapse in moisture management was enough to make them stick so hard that even a stainless steel turner couldn’t get under them.

    Fried rice was different. Rice is starchy too, but the egg coating weakened the bond enough that even when it stuck, the turner could slide underneath without much force.

    In the end, the lesson from gyoza — that starch-based foods come down to moisture management and the right tool — applied just as well here. The egg just made everything a little more forgiving.

    One thing to fix next time: the green onion burned slightly. I’ll move the cooked ingredients to a plate before adding the egg and rice.


    Final Thought

    I’d bought extra ingredients expecting things to go wrong. They didn’t — it came out better than I expected on the first try, and the backup supplies went untouched.

    They say a cast iron pan gets better with use. It seems I’m getting better too.


    Related Articles

    How to Cook Gyoza in a Cast Iron Pan — Why It Sticks and What to Do About It
    River Light Iron Frying Pan Review
    Why Food Sticks to Cast Iron — And How to Prevent It
    How to Care for a Cast Iron Pan

  • Why Heating Olive Oil Too High Irritates Your Throat

    For a while, I’d noticed that heating olive oil at high temperatures left my throat feeling irritated afterward.

    I searched “cast iron pan throat pain” but couldn’t find anything relevant. I assumed it was just my imagination and let it go. But the feeling kept coming back, so I decided to look into it properly.

    It wasn’t my imagination.


    The Culprit: Acrolein

    Every oil has a smoke point — the temperature at which it starts to break down and produce visible smoke. When oil exceeds its smoke point, it undergoes chemical decomposition and produces a compound called acrolein. Acrolein forms with any oil, but oils with a lower smoke point reach that threshold faster.

    Acrolein is a strong irritant to the mucous membranes of the eyes, nose, and throat. The irritation I’d been feeling was most likely from inhaling it.


    Why Olive Oil Is Especially Prone to This

    Smoke points vary significantly depending on the type of oil.

    OilSmoke Point
    Butter~150°C
    Extra virgin olive oil~160–190°C
    Grapeseed oil~215°C
    Canola oil~200–230°C
    Sunflower oil~230°C
    Rice bran oil~230°C
    Ghee~250°C
    Avocado oil~270°C

    Extra virgin olive oil has one of the lowest smoke points on the list — around 160–190°C. It reaches its threshold faster than most other oils.

    I had been using extra virgin olive oil. And I had a habit of preheating my cast iron pan until it just started to smoke. That means I was regularly heating the oil past its smoke point. The conditions for acrolein production were there every time.

    Refined olive oil has a higher smoke point of around 240°C, so the same cooking style would produce less irritation.
    That said, extra virgin retains more flavor and health benefits.
    It may be worth using different oils for different purposes.


    Oils That Work Better with Cast Iron

    Cast iron pans are often used at high heat, so oils with a higher smoke point tend to work better. Based on the table above, rice bran oil, sunflower oil, canola oil, and avocado oil are all solid options.

    Rice bran oil
    A staple in Asian cooking, long used in cast iron pans and woks. Neutral in flavor, so it won’t affect the taste of your food. A practical choice for everyday use.

    Avocado oil
    One of the highest smoke points available. Mild flavor and easy to use — though it tends to be more expensive.

    Canola oil / Sunflower oil
    Widely available and affordable. Neutral flavor and high smoke point make them reliable for everyday cooking.

    Extra virgin olive oil
    Rich in flavor and health benefits, but not well suited for high-heat cast iron cooking. Better saved for low-heat finishing or uncooked uses like dressings.


    Final Thoughts

    I’d read that heating a cast iron pan until it smokes was the right way to preheat it. With no PTFE coating to worry about, high heat seemed like a non-issue. And the pan itself was fine. But I didn’t realize that the oil you use can turn that into a problem.

    Now I use rice bran oil for cast iron cooking and save the extra virgin olive oil for dishes that don’t involve high heat.

    I also stop preheating before the smoke appears. If I see the faintest wisp, I lower the heat right away to keep the pan from getting hotter than it needs to be.

    I’m glad I didn’t just ignore the feeling. If you’ve noticed something similar, it might be worth checking the smoke point of the oil you’ve been using.

  • How to Cook Gyoza in a Cast Iron Pan — Why It Sticks and What to Do About It

    Before adding water for steaming, the gyoza release cleanly from the pan and are not sticking yet.

    I was comfortable cooking protein in my cast iron pan.
    So I assumed gyoza would be no different.

    I thawed some frozen dumplings and rinsed the wrappers under water to remove the excess flour. They stuck completely.

    After cooking 70 more gyoza, I figured out what went wrong.
    There are four things that matter when cooking gyoza in a cast iron pan — heat, oil, moisture management, and the right tool.


    The Four Key Points

    The foundation of cast iron cooking is a shield — creating a state where food doesn’t directly bond to the metal surface. Heat and oil work together to create it.

    For gyoza, two more factors come into play: moisture management to maintain the shield, and the right tool to act as a spear and break the bond when it’s time to release.

    Heat + Oil — The Shield

    A properly preheated pan instantly sears and sets the surface of the food the moment it makes contact. Oil gets between the food and the pan, preventing direct contact. Together, these two create the shield.

    Without enough heat, the wrapper bonds to the pan before the surface has a chance to set. Too little oil exposes the metal surface and makes sticking more likely.

    Moisture Management — Maintaining the Shield

    Too much moisture lowers the pan’s temperature and weakens the shield. Use wrappers that are dry. After steaming, remove the lid and let the moisture evaporate completely.

    The Tool — The Spear

    The turner’s job is to slide its edge under the wrapper and break the bond between the gyoza and the pan. The thinner and harder the edge, the less force it takes to get under.

    Silicone flexes and lacks a sharp edge. Wood is hard but thick and dull. Both fail to cut through the bond.
    The only tool that can is a thin, rigid stainless steel turner.


    Why Gyoza Sticks to a Cast Iron Pan

    Gyoza wrappers are made from wheat flour. When exposed to heat and moisture, the starch gelatinizes and bonds to the surface of the pan. Unlike protein, which contracts when heated and releases from the pan, starch does the opposite — the more heat and moisture it gets, the more it sticks.

    In practice, the gyoza didn’t stick before the steaming water was added. The moment moisture entered the pan, they started to bond. That explains the first failure. Rinsing the wrappers added excess moisture before cooking even started.


    Gyoza Is Meant to Stick — and Then Be Released

    The crispy texture of pan-fried gyoza comes from gelatinized starch. As the gelatinized starch loses moisture and sets, it creates that signature crunch. Sticking, in other words, isn’t the problem. It’s what makes gyoza crispy.

    What matters is the quality of the bond.

    When the shield is working and gelatinization begins after the steaming water is added, there’s already a seared layer between the wrapper and the pan. The bond stays on the surface. Once the moisture evaporates, the gyoza can be released with a turner.

    When the wrapper is wet from the start, the shield weakens.
    The starch bonds directly to the metal surface. By the time it sets, the bond is too strong for even a stainless steel turner to break.

    This is what seems to be happening — though it’s hard to say for certain.


    Wrapper Texture Changes Everything

    I tested two types of gyoza — fresh and frozen — and the results were the same either way. What mattered wasn’t fresh versus frozen. It was the wrapper.

    Gyoza with firm, low-moisture wrappers were straightforward. Even if they stuck a little, a gentle push with a silicone turner was enough to release them. The wrappers stayed intact. Clean results.

    Firmer, lower-moisture wrappers hold much less excess flour.

    Gyoza with soft, high-moisture wrappers were a different story.
    They stuck more, the edges would release but the center stayed bonded, and the act of releasing them was itself enough to tear the skin.

    Soft, high-moisture wrappers tend to hold onto excess flour.

    The wrappers tend to tear in the center where moisture is highest.

    Nicely browned, but three wrappers tore.

    A silicone turner couldn’t get under the wrapper or the crispy edges. I tried more oil. I tried hot water instead of cold for steaming. Nothing changed. Even with heat, oil, and moisture well managed, the final act of releasing the gyoza was the hardest part. That’s where the tool makes the difference.

    A stainless steel turner could slide under where silicone couldn’t. With force concentrated at the edge and minimal resistance, it got under the wrapper without tearing it. The moment I switched turners, the struggle was over.

    A thin stainless steel turner can slide under the wrapper and break the bond with the pan.

    A flexible silicone turner bends easily and cannot break the bond between the gyoza and the pan.


    How to Cook Gyoza

    Preheat the pan

    Heat over medium until just before it starts to smoke. If you see a faint wisp of smoke, lower the heat slightly.

    Add oil

    Swirl to coat the entire surface, with just a little left over. For a 26cm pan, about 1/2 to 1 tablespoon. When the pan is properly preheated, the oil will spread quickly and smoothly. As the pan becomes more seasoned over time, less oil will be needed.

    Add the gyoza

    Place them flat side down. Cook until the bottoms are lightly golden. Lower the heat slightly here to avoid burning while the first pieces are still going in.

    Add water

    Pour in enough to reach about 1/4 to 1/3 of the height of the gyoza. For crispy wings, mix in a little potato starch or flour.

    Cover and steam

    Cover with a lid and steam until most of the water has evaporated.

    Remove the lid and dry the pan

    When you hear a crackling, sizzling sound, remove the lid and let the remaining moisture evaporate completely. Cook until the wings and edges of the gyoza are golden. Adding a small drizzle of oil at this stage seems to make them crispier, though it’s not necessary. Medium to low heat is safer here — high heat makes it easy to burn.

    Release and plate

    Slide the turner under the wrapper and crispy edges, and release the gyoza carefully.

    No tearing with soft, high-moisture wrappers.


    Final Thoughts

    At first, I was looking for a way to cook gyoza without it sticking. Maybe a professional cook could pull that off. But for an amateur like me, it wasn’t happening.

    So I changed my approach. I accepted that gyoza is a food that sticks — and focused on keeping the bond as weak as possible through heat, oil, and moisture management, then relied on the right tool to finish the job.

    The moment I switched to a stainless steel turner, the gyoza that had given me so much trouble came off the pan cleanly. It might not be the perfect method. But for me, it was enough.

    Gyoza cooked in cast iron has a flavor and crispiness that other pans can’t quite match. I think it’s worth the effort.


    Related Articles

    River Light Iron Frying Pan Review — A Japanese Pan I Keep Using Why Food Sticks to Cast Iron — And How to Prevent It
    How to Care for a Cast Iron Pan
    Wood, Silicone, or Stainless? Choosing a Turner for Cast Iron Cooking
    Is Tamagoyaki (Japanese Rolled Omelette) Difficult with a Cast Iron Pan?
    How I Made Fried Rice in a Cast Iron Pan — What Gyoza Taught Me


    Where to Buy

    → River Light Cast Iron Pan on Amazon

  • Dark vs Light: A Guide to Japanese Soy Sauce

    Dark soy sauce (left) and light soy sauce (right).

    What is Shoyu?

    Shoyu (醤油) is the Japanese word for soy sauce — a fermented seasoning made from soybeans, wheat, salt, and water.
    It is one of the most fundamental ingredients in Japanese cooking, used in almost everything from dipping sauces and simmered dishes to everyday seasoning.

    The two most common types are koikuchi (dark soy sauce) and usukuchi (light soy sauce). Unlike salt, shoyu adds not just saltiness but also umami, color, and aroma to a dish.


    A Brief History

    Soy sauce has a long history in Japan.
    It is generally believed that its roots trace back to the Nara period (710–794), when a grain-based seasoning called kokubishio was introduced from China. During the Kamakura period (1185–1333), Zen monks began using tamari — a liquid byproduct of miso — as a seasoning. This became a direct ancestor of modern shoyu.
    The word shoyu first appeared in Japanese records around the 1500s, during the Muromachi period. By the Edo period (1603–1867), soy sauce production flourished across Japan, and it became an essential part of everyday cooking.


    Why Two Styles?

    Japan’s two main soy sauce styles — koikuchi in the east and usukuchi in the west — reflect the different food cultures and geography of their regions.

    In the Kanto region, koikuchi developed to suit the bold flavors of Edo cuisine. The city of Edo grew rapidly and consumed enormous quantities of seafood — not always at its freshest. Koikuchi’s strong aroma and deep flavor helped mask unwanted smells and complemented the rich, robust dishes of the era.

    In Kyoto, the situation was different. As an inland city, fresh seafood was hard to come by. Cooking centered around vegetables, tofu, and preserved fish — ingredients with no strong smell to mask. A lighter soy sauce that enhanced the natural color and flavor of these ingredients made more sense. Usukuchi developed in Tatsuno, Hyogo prefecture — a town with access to quality salt from nearby Ako, good soybeans and wheat, and soft water from the Ibo River. These natural conditions made it the ideal place for a lighter, more delicate soy sauce to develop.


    The Two Main Types

    Koikuchi (dark soy sauce)

    Koikuchi is the most common type of Japanese soy sauce, accounting for about 80% of domestic production.
    It is made from roughly equal parts soybeans and wheat, and undergoes a longer fermentation process — typically two years or more. This results in a deep brown color, a rich aroma, and a full-bodied flavor with well-balanced umami.

    Usukuchi (light soy sauce)

    Usukuchi accounts for about 14% of Japanese soy sauce production and is particularly popular in the Kansai region.
    It is brewed for a shorter period — around one year — and uses more salt to control fermentation. Some include rice, which adds a natural sweetness to balance the flavor despite the shorter aging time. The result is a lighter color, a milder aroma, and a slightly saltier taste than koikuchi.


    Key Differences

    KoikuchiUsukuchi
    ColorDark brownLight amber
    Salt content~16-17%~18-19%
    Fermentation2+ years~1 year
    Main ingredientsSoybeans, wheat, salt, waterSoybeans, wheat, salt, water (some include rice)
    FlavorRich, full-bodied, strong umamiLighter, milder, slightly saltier
    Best forRich, bold dishesLight, delicate dishes

    How I Use Them

    I use koikuchi for richer dishes — simmered dishes, ingredients with higher fat content, or food that isn’t at its freshest. It also works well when I want more depth and richness in a dish. It pairs well with sugar and mirin, and holds up to bold seasoning.

    Usukuchi is my go-to for fresh ingredients — sashimi, lightly cooked vegetables, and light dashi-based dishes. I use it when I want the natural flavor of the ingredients to come through.

    I actually use usukuchi more often than koikuchi in my everyday cooking. I tend to prefer lighter seasoning, and usukuchi fits that naturally.


    The Soy Sauces I Use

    These are the two soy sauces I use at home.
    Both ship from Japan, so they may not be the most convenient option for everyone — but if you’re looking to try quality Japanese soy sauce, these are a good place to start.

    KoikuchiAdachi Jozo Organic Koikuchi on Amazon Japan
    UsukuchiHigashimaru Usukuchi on Amazon Japan

    Note that the usukuchi is only available in a set of three or four bottles on Amazon Japan.

    For a closer look at the usukuchi I use, you can read more here.
    A Japanese Light Soy Sauce (Usukuchi) I Use Every Day


    Closing

    Koikuchi and usukuchi are both shoyu — but they bring different things to the table. Knowing the difference makes it easier to choose the right one for the dish you’re cooking.

  • Umi no Sei Yakishio Review — A Japanese Roasted Salt for Seasoning

    Umi no Sei is a Japanese sea salt known for its mineral-rich content and traditional production methods.
    It is often used in macrobiotic cooking, where unrefined natural salts are preferred.

    This time, I tried the yakishio variety for the first time.


    How It’s Made

    Made using only seawater from around Izu Oshima, the brine is first concentrated using a net-flow salt bed powered by sun and wind, then crystallized in flat kettles.
    The resulting salt is fired at high heat to create yakishio — a dry, free-flowing roasted salt.


    Flavor and Character

    The grains are fine and dry, making it easy to sprinkle evenly.
    It feels light and smooth when picked up with your fingers.

    The saltiness is direct, with a clear, defined taste.


    How I Use It

    I found it better suited for seasoning during cooking — where it has time to blend into the ingredients — rather than as a finishing salt sprinkled at the table.

    When used as a base seasoning for meat or fish, it helps the flavor settle in clearly without adding extra character, bringing out the natural taste of the ingredients.


    Where to Buy

    Amazon Japan
    Rakuten


    Key Details

    • Made from 100% Izu Oshima seawater
    • Produced using a traditional net-flow salt bed, flat kettle, and high-heat firing
    • Naturally rich in minerals
    • No additives
    • Fine, dry, free-flowing texture

    Closing

    I usually reach for salts that are slightly moist and coarser, so this fine, dry texture felt especially easy to handle.

    Even small differences in texture and saltiness can change how a salt works in cooking, which is something I noticed again here.


    Other Japanese sea salts I use

    Aguni Salt
    Nuchimasu
    Toppenn Salt
    Four Japanese Natural Salts Compared

  • A Japanese Light Soy Sauce (Usukuchi) I Use Every Day

    Light soy sauce bottle dispensing one drop at a time

    Dark soy sauce (left) and light soy sauce (right).


    About

    In many Japanese households, koikuchi soy sauce is the standard.
    But in my kitchen, I mostly use usukuchi soy sauce.
    Its lighter color helps keep the ingredients and broth clear, while still adding depth of flavor.

    The one I use is Higashimaru’s Ginshun Hojun Tokusen Marudaizu Usukuchi Soy Sauce, made in western Japan from soybeans, wheat, salt, and rice — all sourced in Japan.


    Flavor

    It has a faint sweetness and a very clean taste.
    Almost like an extension of salt, it enhances the flavor of ingredients without overpowering them.


    Design

    Light soy sauce bottle dispensing one drop at a time

    The bottle dispenses one drop at a time and helps keep air out,
    so the flavor stays fresh until the last drop.


    How I Use It

    One of my favorite ways to enjoy it is with sashimi.
    I mix a little soy sauce with yuzu kosho, dip the fish lightly, and place it on warm rice.
    Wrapped in nori, it becomes a simple meal I never get tired of.


    Where to Buy

    Amazon Japan

    Rakuten


    Key Details

    • Made by Higashimaru, western Japan
    • Soybeans, wheat, salt, and rice — all sourced in Japan
    • Drop-dispensing bottle that keeps air out

    Closing

    Nothing fancy.
    Just something I feel comfortable keeping in my kitchen every day.

  • Aguni Salt Review — A Traditional Okinawan Sea Salt for Cooking

    agni salt on spoon in black dish

    A Japanese sea salt made from the coral-rich waters surrounding Aguni Island in Okinawa.


    How It’s Made

    The seawater is first pumped into a tall salt tower filled with bamboo branches. As it flows repeatedly over the bamboo, wind and sunlight slowly evaporate the moisture, gradually concentrating the salt.
    The brine is then simmered in traditional flat kettles over a wood fire and carefully dried. The entire process takes several weeks.


    Flavor and Character

    Rich in natural minerals, the saltiness is distinct but smooth, with no harsh edge. There’s a quiet depth to it that brings out the natural flavor of ingredients.

    Its color is slightly off-white, with soft hints of pale pink and beige.


    How I Use It

    In my kitchen, I tend to use this salt in cooking rather than sprinkling it directly on food.
    It works especially well in grilled dishes, simmered dishes, and soups — anywhere you want the salt to work quietly in the background.


    Where to Buy

    Amazon Japan
    Rakuten


    Key Details

    • Made from 100% Okinawan seawater
    • Produced using a traditional tower and flat-kettle method
    • No additives

    Closing

    There’s something satisfying about a salt with this much history behind it — weeks of work, traditional tools, a small island in Okinawa. That care comes through in how it tastes.


    Other Japanese sea salts I use

    Toppenn Salt

    Nuchimasu

    Umi no Sei Yakishi

    Four Japanese Natural Salts Compared

  • Nuchimasu Review — A Powdery Okinawan Salt for Finishing

    A sea salt made from the seawater of the Pacific side of Miyagi Island, Okinawa.

    “Nuchi” means “life” and “masu” means “salt” in the Okinawan dialect.


    How It’s Made

    Instead of being boiled, the seawater is turned into a fine mist and crystallized in the air.

    Because no high heat is used, many natural minerals remain, resulting in a very fine, powder-like salt.


    Flavor and Character

    The flavor is mild and rounded, with a slight sweetness.
    It dissolves easily and doesn’t have a sharp edge, so it works well when sprinkled directly over food.


    How I Use It

    I often use it for rice balls, sashimi, tempura, boiled eggs, and even watermelon.
    A light sprinkle at the end is all it takes — it enhances without overpowering.


    Where to Buy

    Amazon US

    Amazon JP

    Rakuten


    Key Details

    • Made from 100% Japanese seawater
    • Rich in natural minerals
    • Produced using an air-crystallization method
    • Fine powder texture that dissolves easily

    Closing

    Nuchimasu doesn’t compete with the food.
    It makes the ingredients taste more like themselves.


    Other Japanese sea salts I use

    Toppenn Salt
    Aguni Salt
    Umi no Sei Yakishio
    Four Japanese Natural Salts Compared